Several months ago, I launched a project that was deeply close to my heart: creating signature soul perfumes — unique olfactory signatures conceived as vibrational portraits.
At the time, I didn’t yet grasp the magnitude of the journey that awaited me. I only knew that something was calling me — something ancient, something sacred — and that I had to answer that call.
Nine people trusted me from the very beginning. Nine souls who asked me to open an intimate door: the door to their deepest essence. Their trust was the spark that ignited this work.
I began with what I first called the vibrational imprints of the soul:
the natal chart in astrology to understand the broad outlines of their inner sky.
Human Design to perceive the energetic mechanics of their incarnation.
Numerology to grasp their life path, their mission, their tonalities — and finally the vibration of their first and last names, a key giving access to their fundamental chord.
All of this data offered me pathways.
But it was only the entrance to the temple.
By connecting with each person, I began to see karmic landscapes emerge — memories, lineages, and sometimes the ancient traditions to which they were linked. Egypt, Israel, Ancient Greece…
These resonances naturally became the base notes, the deep foundations of their perfume. A soul connected to the mysteries of the Nile or to Greek temples does not carry the same olfactory base as a Celtic or Himalayan soul.
At first, I wanted to structure these creations using the keys of Tesla’s Universe — 3-6-9 — combined with the Jean Carles method, one of the great masters of perfumery architecture. On paper, everything seemed coherent. But in practice, something resisted.
As if the soul refused to be confined within a structure that was too mental.
So I let go.
And I returned to my essence: the path of the alchemist.
The same path I use to create my elixirs. A path that always begins with a dominant ingredient — a guide, a presence — that accompanies all the others. This keynote allows the person to realign, to feel supported, to recognize their mission, and to rebalance what wavers.
That’s when the true magic began.
Human Design gave me the structure.
Traditions and memories became the base notes — those that carry duration and depth.
Astrology, numerology, and the vibration of the name formed the heart notes — the way one radiates.
And the top notes: the instant of presence, the breath that brings us back to the here and now.
But before going any further with others, I had to create my own perfume.
To see whether the process truly worked.
To cross the bridge myself.
One of my weaknesses, I know well: dispersion. It is strongly marked in my chart too.
The elixir-perfume I created offered me something unexpected: a foundation. A feeling of inner marble on which I can lean in order to work. It reconnected me to my healing power — something my chart speaks of, but that I lose and rediscover like a fragile thread. With this perfume, everything settled.
And paradoxically, it bears no resemblance at all to the fragrances I usually love.
Nothing like Yeshua, Quan Yin, or Joseph — my favorite elixirs.
No.
It is woody, powerful, masculine.
A perfume I would never have chosen — but one that chose me. And that I am learning to inhabit day after day.
I also had to leave my city atelier. I needed to return to nature, surrounded by silence and earth, to create from the heart rather than from the mind.
There, the work took on another dimension.
I refined my method.
I kept the vibrational imprints — astrology, Human Design, numerology, vibration of the name — which I now call the Vibrational Imprint of the Soul.
I kept the 3-6-9 keys.
I integrated what felt right from the Jean Carles method, and above all from that of Mikael Zayat, my initiator.
But all of this came to be woven around the alchemical composition, which is the true singularity of my elixirs.
Then I added sound harmonization — as I do for my elixirs — so that the composition could fully take its place.
And finally, the activation, which takes place when the person receives the elixir, or just before. This subtle step — which can also be seen as a vibrational treatment — synchronizes the perfume or elixir with the person, just as I have been doing for the seasonal elixirs since September.
In recent days, the first Soul Perfumes have finally taken form.
They have set off to meet their recipients — just in time for Christmas.
One chapter is closing, but a new one is opening — because now, I wish to open this work to new people.
To be continued…
And I want to warmly thank the very first people who trusted me from the beginning — and also for their patience.
